The Blackmagic Design Video Assist 3G 7″ includes all the features of the 5″ model but has a much larger screen. This model has 2 SD Card slots so recording can continue when a card becomes full. There are also 2 mini XLR audio inputs with phantom power so you can connect and record direct from microphones.
All Video Assist models are dominated by a large touchscreen with all controls for recording, playback of clips, viewing scopes and setting focus assist features. Both 7″ models are large enough to include analog inputs for audio and two SD card slots so customers get a continuous recording, with automatic recording to the second card. All models include a rear tally light, a front panel speaker for clip playback and a headphone jack. Video Assist uses Sony L-Series batteries, and with 2 battery slots, customers can change batteries without interrupting recording.
With large and bright 5″ and 7″ touchscreens, Video Assist makes it incredibly easy to frame shots and accurately focus. The touchscreen displays critical information while users are shooting including the timecode, transport control, audio meters and a histogram for exposure. Customers can also customize the LCD to add or remove overlays such as current filename, focus peaking, zebra, false colour, frame guides, 3D LUTs and more.
Video Assist uses commonly available SD card media, so customers can record to flash memory cards that are easy to obtain. The files are small enough to allow long recordings on standard SD cards or the faster UHS-II cards.
Blackmagic Video Assist is an ideal upgrade for cameras, as its bright display is bigger than the tiny displays found on consumer cameras, plus users are also adding professional focus assist features and better quality file formats. Video Assist is also a great solution for professional cameras because customers can use it to upgrade older broadcast cameras to modern file formats used on the latest editing software. Customers get support for all editing software as customers can record in Apple ProRes and Avid DNx. With both HDMI and SDI inputs customers can connect it to any consumer camera, broadcast camera or even DSLR cameras.
The innovative touchscreen LCD user interface provides incredible control. On-screen, there are dedicated buttons for play, stop and record, plus a mini timeline for scrolling through their recordings. Customers can even swipe the image to jog. The LCD includes a heads up display of timecode, video standard, media status as well as audio meters. Scopes can be enabled via the touchscreen as well as focus and exposure assist. Plus customers can load and save 3D LUTs.
Video Assist features a wide range of video and audio connections such as multi-rate SDI for SD, HD on all models and Ultra HD on the 12G-SDI models. HDMI is included for HDMI cameras and monitoring to consumer televisions and video projectors. The 7″ model features Mini XLR inputs which are provided for audio input from microphones and external audio mixers. Video Assist even includes a 12V DC power connection and the 12G models include a locking power connector.
Video Assist records using standard open file formats so customers don’t have to waste time transcoding media. Files are compatible with all post-production software so customers can work with the software of their choice, including DaVinci Resolve Studio. Recording works in industry-standard 10-bit ProRes or DNx files in all formats and from all HDMI or SDI cameras, as well as 12-bit Blackmagic RAW on the 12G-SDI HDR models when connected to supported cameras. Best of all media files work on all operating systems.
The SDI and HDMI connections are multi-rate, so all models handle SD and HD television standards plus the 12G models add extra support for Ultra HD standards. Standard definition formats include NTSC and PAL. 720p HD standards include 720p50 and 59.94p. 1080i HD interlaced formats include 1080i50 and 59.94. 1080p HD formats include 1080p23.98, 24, 25, 29.97, 30, 50, 59.94 and 60p. Plus customers can even work in 1080 PsF formats.
Blackmagic Video Assist includes a built-in professional audio recorder that’s much better quality than the audio found in most cameras, eliminating the need to carry around extra audio equipment. When working in SDI formats, customers can record 2, 4, 8 or 16 channels of audio. For connecting microphones the 7″ models have 2 XLR analog audio inputs with phantom power and high definition audio sample rates of 192 kHz at 16 and 24 bit per sample. The audio meters can even be changed between VU or PPM ballistics.
The files from Blackmagic Video Assist are common and are compatible with all operating systems or in most video software. DaVinci Resolve is perfect for using with Video Assist as it features editing, colour correction, audio post-production and visual effects all in one software application.
Find out further information over at the Blackmagic website.